*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know.
pressing on 180 gram audiophile double vinyl.

berlin + mexico based, but outer space destined, man power keeps his pants on for this vr floorshow, you might not though! geoff kirkwoods premier adventure on the inimitable voyeurhythm records (his first original outing since his acclaimed lp early in 2015) sends us on a serious electro flavoured journey to future times... imagine hovercraft trains, laser beards and rowboats in charge. side as ruthvern goes in big with some hypnotic peak time acid action, while wither pushes and builds the rap squelch even further, adding an epic saxophone section lifting the entire affair skyward!

nice price deal !!! after three stunning, floor-fired eps from the label boss himself, deetron takes his burgeoning character imprint to a whole new level of depth and diversity with old friends and new.

already played by raresh
laate is the new label of clayton guifford (fragil / unrelated). this project is dedicated to space, time & parallel universe... we are not alone! for this release, we are very proud to welcome: jerome pacman, the most respected french dj, truly legend and a model for a whole generation. capable of amazing everybody, behind the decks and there as a producerjerome delivers 3 original tracks: first, on a side - 3 for you -, an hypnotic killer tool track! get in the spaceship for the dancefloor. on b1, - tiwanuku- expresses a deep groovy & dub vibe, with atmospheric sounds to make us travel more & more. finally in b2, - quiet understand - is a pure minimal track. gradually, space trippy sounds and female vocal emphasize this mysterious and futuristic atmosphere.

a classic house track gets a re-release and an extra special edit from bass culture owner d julz. the edit of chicago groover * dont let love pass you by* from master c & j has been a staple of d julz sets for quite some time now. over time more and more people have asked about the track and he duly responded to demand by not only clearing his rework for release, but also signing up the original to be reissued via his label. so we have the original version, which oozes chi-town sleaze, remastered for 2016 together with the superb edit by the man himself, d’julz. need we say anymore?

maneuvers to dresden for the dunkeltier missonen. follow jaw drop debut rising for macadam mambo edits, sneaker dj dons persona for 4 cut n pastes of library, ebm, industrial und proto groove musings to neu welt orders. bahnsteig not beige balearic nu disco shite edit machine but searching deeper. speigel tv is youth reminder of joke time aber now for the tanzfloor. groovy. cruisin generates proto 4/4 hymns for dose of 909ers. tear it down does so mit electric body punk funk

cat.nr. 2400 comes as a four-tracker with grooves from crooks + lovers, grizzly, savvas from greece and so late. the new-not-so-newcomer crooks + lovers second track for o*rs. * yaiza* tickles you with soft vocals and a higher bassline. if you like you can call it a * happy dubtechno* track. grizzly, well known for his psychedelic slow-jams lives up to his name. * juli im august* is build around one simple beat heightens the chords and expands the room. the a-side with savvas and so late leads a warm course. savvas’ „other side“ is made for the early slot to build up the perfect night. but do you know the time during a club night when you danced for two hours and you have to decide to stay or go? mutiny by so late is your decision to stay. limited to 300 hand numbered pink vinyl copies!

christian smith opens the show with his techno track - drive like a firework. fast and groovy played 909 hihats combined with a repeating lead bass loop is always a guarantor for a peak time track. but it s not enough with that. christian adds a second acid like synth line, which drills his message in your brain: party like a freak! remember literonvs - white falls

exclusive 7inch single in conjunction with mount alalog los angeles presenting crimes of the future label bosses scott fraser and timothy j. fairplay with 2 exclusive cuts of leftfield house and electro psychedelia, very limited copies!

endill006 goes split. scottish stephen lopkin and greek dimdj have delivered quality detroit informed house tunes straight for the floors, except “grave roll” which can be nice opening track. 909 turns 707 and it’s not endless illusion without proper synth lines.

argument #03 is the third instalment in cage suburbia’s series of argument ep’s, as well as their first 12” vinyl release. it shows the duo of haunter records’ co-founder daniele guerrini (also in heith) and matthias girardi (aka weightausend) raising the confrontation level to a new high. mixing their technoid barrage with jungle breakbeats, noise and dub techniques at various bpm speeds, they do not fail to deliver the usual amount of radical acid distortion. as with the other two ‘arguments’, this ep represents a heavy anti- authoritarian stance in both sound and concept. ‘rob the bank. kill the guards : sampling klaus maeck’s pirate cult classic ‘decoder’, cage suburbia openly call for cultural infection and street-wise spiritual resistance. this is punk rock for the paranoid age, insurrectional party music, intelligence research for the funnier side of destruction. as always, it’s been cut and edited from a series of improvisations on hardware samplers, drum machines and various sound sources, recorded live from a stereo output. comes with a set of stickers to incite riots in your neighbourhood.

new edits series championing the underdogs of disco. digby s disco loves those tracks that have a moment of genius nestled alongside a questionable chorus. all taken from a 7 inch collection accumulated over the years, youll find no obvious cuts here, rather remakes of charming, imperfect records that otherwise may not see the light of day. ! 300 copies... first support from soul clap and tim sweeney..

covered by water i search for an escape from these tightening walls, far laughs confuse me, and i see the shadows of pedestrians over me, unarmed, in vain i try an handhold but i’m absorbed always more, i do not find an escape, one last inhalation, divides me from the death given to me, no more footsteps, no more shadows, no more laughs, no more water, one thunderous, gentle, rustle dries out each one of my tears of desperation, the eyes get closed, already white because of the cold.

tx connect steps up for lower parts 09! replacing memories is a pounding voyage into the unknown. pulsing acid and urgent fx ring out over drums that bang. not for the faint of heart, these four tracks propel the listener out of the cosmos and beyond.

those who preordered, do not have to do so again - we will contact you when we have stock! new zackey force funk on hit+run, including productions from egyptian lover, brian ellis and tom noble! the wax is all colored silver and housed in a silver metallic ink hand-screenprinted jacket by hit+run featuring artwork by uk graffiti legend sheone. check!!

goldmin music label founder romain lanteaume alias einka meets detroit minimalism master terrence dixon aka population one for a truly conceptual techno 12-.. terrence dixon is one of our favorite artists and biggest inspiration.. detroitborn artist released his first 12- back in 1994 followed by several quintessential records and 2 epic albums -from the far future- on legendary berlin-based label tresor. terrence is not only a great techno producer who makes subwoofers roar in clubs, he is a man obsessed by a concept, an idea that he s following from the very beginning.. -minimalism- in the reaaaaal sense of the word.. for example, when thousands producers are wondering what s eventually missing in their new track, terrence is rather wondering what s useless, what could be removed and that s definitely what he gets to share on his own -reduction- imprint. after the release of terrence s track -steve austin s mile- on goldmin theme lp, romain got to meet him in detroit during summer 2014. the aim was to make an abstract record that could still be linked to a feeling or a situation.. a1 the edge track is probably a good example as it s designed and built to make you feel like you get closer and closer to the edge while the track is slowly growing until you fall.. can you feel it? :) as for the other tracks, there is also a special idea behind them but we better let you interpret it your way

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

new rawthenticity release featuring 3 tracks produced by miruga & fulbert at miruga s studio in suzaka, in the middle of nagano mountains, japan. deep & obscure as japan countryside can be... a side is a 15minute deep piece of music melting house, jazz & techno influences - homage to miruga s father who runs a small garage in the backyard of the family house. b1 is miruga s deepness at his best & b2 is some japanese sake inspired sample madness - tribute to a ghost that may or may not have been involved in the production on that special night of may 2015. limited 250 copies - vinyl only

disco boogie classic s return for vol 7 in the series. expect the usual dbc style taking classic and some not so known tracks and re working them for the floors. pressed on limited 180g black vinyl.

atlus is a young man with the world on his shoulders. he holds it from misty glasgow, where he spends most of his time in the halls of rubadub. in the three songs on this epic ep, he lifts up party-melting disco house, clanging ambience and bubbling techno – and not for a second does he hint at letting the ball drop. the first of many, many records from him, we hope. this kid’s a titan.

copenhagens music for dreams continues its run of great releases with a tasteful 12 inch from label boss kenneth bager who presents four on-the-money remixes of his single *sunshine stereo* taken from forthcoming album *follow the beat*. currently enjoying heavy rotation on p3 (denmarks answer to radio one), this summery anthem gets makeovers from denmarks jazzbox, greek duo bonnie & klein and from mr bager himself who teams up with napoli-born producer extraordinaire tuccinelli to give us not only a superb extended vocal mix but also an on-fire dub version of the track that is sure to be a future classic both for the balearic brigade and all lovers of funky downtempo dubbed-out weirdness. treading the same territory as the fabulous frankie knuckles hallucinogenic mix of *aint nobody*, this dub is full of tricks, teasing and pleasing the dancefloor and already getting strong support of manchesters moonboots, amnesia legend leo mas and danish dj peter visti. elsewhere jazzbox deliver a great uptempo beach boogie version full of soul and groove making great use of the unmistakeable voice of damon scott, known for his work with storm queen, while bonnie & klein produce a very special percussive jazzy dub mix. the pair are on a roll at the moment and this remix with its warm marimba vibes creates that mediterranean vibe we all love. a real sun-soaked winter warmer, this 12 feels like a knitted sweater in the cold! limited vinyl.

an ep of golden bug on lddlm has been a long-time coming. paths crosses, encounters, similitudes. but it took all of us time to agree on how golden bug should fit into our mortal ethics of fragmentation: we don t want to sound like anybody else, each track on the ep should all sound different. the french but barcelona based producer played our game, anticipating his future and very diverse album with a spook yet catchy 12inch. wild boys was an instant ear-catcher, some proto funk with a very strong vocal by yan wagner that made it sound like duran duran on speedball. it was hard to take it to another level but lord tusk, one of our favourite producers of the emerging -no genre london scene beefs it up, kraftwerk way. its moody as we all are. ik voel je shows the more experimental spaced out side of golden bug, we d call it space rock if we had to. do not neglect l-horloge, it s slow, dark, menacing but it s a real time bomb if tuned correctly.

direct from the deepest corner of the southern hemisphere, a.k.a. perth, western australia, good company records is a new outlet for the music of our west coast underground , born out of four years of parties and a newly-opened specialist record store of the same name. release number zero-zero-two comes from north perth riddim doctor phil stroud, two extended instrumentals offered generously across two sides of the same 12- black plastic disk, equally suited to solo meditation or dance floor evocation! side a is drum workout the forest , sounding in the mix or on the breeze not unlike a mid-summer, mid-noughties villalobos set echoing through a european wood. side b is the beachside dawn of yemaja , a glistening ode to the goddess of the same name that features the dewy key-tones of yazist vaapa s jack doepel. limited quantities

weve been meaning to put out some music by our friend harald ever since we started this wee operation five years ago. imagine our joy now that were ready to release not one, but two masterful records signed mr. bjoerk!

wow, this is a turn up for the dancefloors - this new jolly jams release is by dj kaos of jolly jams records (i guess the introduction about him is not necessary). always highly collectable and rare, youll find eight jams showcasing the labels stunning sound. lay back is the opener of this beautiful ep, a house/acid stormer that is pure dancefloor dynamite. on the flip its psyche-rock class in the form of hurricane wheels. listen for yourself to the other six jams, well keep this review nice and short. dont miss out on these pieces of history!

from the storming energy of opening cut the key of night all the way through to the deepertripping solar fields its a must-have ep for >those who know<. young uk based producer cleric has established himself not only as a bonafide new talent and key player in the international techno world, but also as a prolific artist on figure. now well known for his crisp, deadly club tracks and rich melancholic ambient studies, in this fifth single for the label he explores his hard-hitting yet luxurious sound ever further. whats immediate about the four tracks on offer here is clerics extremely powerful, yet masterfully controlled bass frequencies. coupled with his addictive, smart and dark 90s-reminiscent synth hooks, we are left with an array of stomping, percussive weapons primed for expansive spaces and killer sound systems.

one hundred. three digits. finally weve made it and were proud to announce that we’ve reached a milestone that every label aims for: the one hundredth release in a continous sequence of catalogue numbers. and what a journey it has been over the course of the past eight years. to celebrate this once-in-a-lifetime event no-one less than marco resmann himself comes up with a dedicated 12inch single thats not only named 100 but also comes as a special gold vinyl edition plus gold label prints and seethrough packaging that makes this record stick out amongst many in each and every vinyl lovers collection as well as in every dj case.

weve been meaning to put out some music by our friend harald ever since we started this wee operation five years ago. imagine our joy now that were ready to release not one, but two masterful records signed mr. björk! solemn chord improvisations recorded in the secret gardens of nacka pair up with a shameless yet humble cover version of a techno evergreen on this perfect little vinyl exclusive record, beautifully designed by malin gabriella nordin. this 7inch single is released synchronously with the 12inch fritids ep

as some first meetings on spaghetti monster with a ukranian electronic «guru» - stas drive were successful the monster team decided to provide a logic following on this story with a full ep by stas for this summer. the ideal behind his music - the bright cosmic vibrations for body and soul. stas found a special hypnotic sound and not surprising that it is one of the most played artists in sets of hernan cattaneo, guy j, nick warren, guy mantzur and cid inc today stas drive is one of the new popular faces of the world underground edm stage and the one of most demanded remixers - says his press text and we improve it with a look on 7 greatest artist s remixes on ep. we do not wanna put tons of words to describe each percussion sound on all the versions. u can find in a pack whatever you like to play most from deeper groovy donatello to housy canadian vibes from ellroy. the ep will follow by a 12 vinyl edition with four most interesting version so now just keep your eyes open and ears focused to keep in touch with spaghetti monster.

8 tracks of raw arabic funk music, none of these have ever been reissued before. so far fadoul (or fadaul, or faddoul, the transcribtion of his name to latin letters differs)& his music had not been rediscovered, as a matter of fact most of those songs still left no trace whatsoever in the world wide web. it took us 2 years and countless trips to morocco to find the artists family to license the release from them.

its a very exciting time for soul of hex right now. not only have they hit upon a rich vein of creative inspiration and clearly loving every second of being in the studio making some brilliant music, but the young duo from tijuana also seem to be inadvertently, or maybe purposefully, shaping a fresh new direction for the mexican house scene. taking influences from detroit via berlin, and with a knowledge of house, jazz, funk, soul and disco which goes way beyond their years sebastien vorhaus and 4004 are in the vanguard of this new generation of house producers and are already making their mark worldwide through releases on cvmr, mcde, faces and their own vicario ltd imprint.

baastards never sleep! so dont think we were napping but just on the hunt to further the baastard family. whilst searching italy we found not one but two baastards, brothers so it must be genetic.

the drowning shadows edition of sam smiths huge success debut album in *the lonely hour* includes a bonus disc with new tracks, alternate and cover versions. comes in gatefold sleeve.

the newest release on like records feat. circus company s aquarius heaven is definitely a beauty and a beast. while david hasert gave birth to a heavenly beauty by adding moony synths, deep percusion vibes and a heavy baseline to his song, dirk sid eno created a funky, soulful beast, minimalized and dirty. and like a cherry on top common friend niconé sweetened the cake with his enormous remixes for both tracks, that will make you sweat on the dancefloor. not to forget, great bonus remixes for the beauty by tim engelhardt & johannes klingebiel.

anonymous edits return with vol 3 picking 3 tasty cuts and reworking them for 2016. limited pressing act fast.

when umek introduced his moniker zeta reticula at the beginning of the century, he got the following review: *sounds something like a cross between basic channel style minimalism, anthony rother electro bliss and ummmm.... umek and his crazy synthetic chords and razor sharp production.* his sound has changed since, but it seems like he is not immune to some nostalgia. electro nostalgia to be exact.

a sort of cabaret voltaire for the iphone age, drooids are a collective of three multimedia artists who produce electronic music using improvisational, often anarchic methods. utilizing a hodgepodge of gear both old and new, and not-wholly-quantized, they create a collage of sounds that verges on chaos before slipping back into a dark yet weirdly club-oriented beat. their live shows usually feature multiple guest collaborators, costumes, sculptural props and performative antics. for their debut release on lse we tried to capture the spirit of these shows and recorded over 11 hours of drooids improvising in the studio of the course of one week. those 11 sprawling hours then got edited down to these 4 snapshots, mastered and pressed in a limited edition of 200 (40 with original gelatin silver prints) for our 6th vinyl release.

flawless, subtle house/ambient house groover (reissued ep formerly released on polyfon) ... this is not a limited release!

att series is proud to present the new exclusive vinyl only series with a new brand design. in this new era we are happy to start along three of the most important and respected artists from the techno scene as giorgio gigli & brendon moeller showing us the original mixes and takaaki itoh the remix. first collab from these talented artists show that they make goods on their own but they can build betters working together. takaaki itoh is not less than them bringing us a great remix for this stomper release. pretty music full of senses and personality is what we nd in this 12 inch and as we said before, this is the beginning of a new att series era.

selected advent deal - gerry read with a complete leftfield take on house music. mental jacktrax! mental jacktrax by gerry read. easy to resist these non-formulaic jack tracks in the days of conformist dance music cause its not the tunes that will make your crew do the fist pump thing during the weekly big headliner rave... but we like!! mr read is funky as fuck and reminds us a bit of dutch techno punks unit moebius (which is always a good thing!)

it’s now pretty obvious that disco influence has not only been powerful in western clubs. it has also influenced musicians all around the world, and west-indies islands are no exception to the rule. indeed, at that time in the caribbean territories, local musicians and producers seized the sound of their us counterparts, and make it their own, melting-up disco, funk, and boogie (even early rap) elements with some more traditional or local styles. apart from some obvious titles which made it to the charts, very few was known on these productions until recently. from an initial pre-selection of 40 tracks, favorite recordings and waxist teamed up to narrow down the actual tracklist. with no pretention to be exhaustive, this selection represents a tiny sample of a broader ocean of quality caribbean disco/boogie tunes. favorite recordings & waxist are very happy and proud to bring back lights on some of these rare tunes.

big bear brian kage drops some nice house flavours on fxhe record by our one and only omar s.

studio is benny’s 5th studio album. not just casually called by its name. no, there is something else happening here. the word ‘studio’ originates from the latin word ‘studium’, which stands for ‘studying’. the studio is the place where painters, artists and musicians learn, study and create. it’s the place where benny is most comfortable. benny’s amsterdam based studio has an amazing view of the canals. studio is an ode to this place, which he built 4 years ago, and everything it has brought him. because it brought him more than just the music he produced there. it gave him his place in the world and with it so many other things. all of which is to be heard on his new album. you find him exposing true love, follow his search for a home, he opens up about settling down and he speaks of breaking through old patterns in which he found himself being stuck for years.

dead fader returns with his new album *glass underworld*. dead fader is the alter ego of john cohen - former brighton resident, now based in berlin - who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. *glass underworld* became a very personal exploration for john, developing further his emotionally tinged brand of techno which he established with the previous ep sun copter. furthermore, the film interstellar visually influenced the album, mapped as an image for cohens tracks to exist in. the vinyl release is limited to 300 copies and comes with download code included.

this is the birth of b00m jack s new baby my dear friends n freaks... being asked to describe the 22 year old german musician kolja gerstenberg - one possible answer could sound like that he might be the lost twin brother of jamie jones (but it s just one among many other suitable answers) the youngster and music student (he s studying drums at university) kolja is a total opposite of the typical modern-music-scene-kind-of-guy as he sticks to his passion, which is house music in it s classic disguise like 20 years ago. kolja is not interested in following hypes or trends. what he loves are raw & dirty us house like trax or disco house flavoured tunes with loads of jazzy smell and glitter all over. kolja is and will stay real & authentic by keeping this behaviour. he is not aiming at superfi just for the higher potential of success or money or fame . . .

one of the coolest techno labels at the moment comes with another fine release. not the standard 90s loop techno inspired tracks but nice smart raw machine driven house/techno hybrids full of warmth and energy taking us on a journey to the higher echelons of the dance floor. recommend!

a dead party mix for the lost souls of this world. tony boggs (aka joshua treble) is also known for his collaborations with mitchell akiyama as letters letters on type records and desormais on akiyamas own intr_version label. zero likes was recorded as tony s brother spent his last days in hospice, sampled life support machines and nurses whispers inter-splice hazy drones and jaded lo-fi beats. unfollow zooms in, giving us a dimly lit skeleton, dizzying motorik beats and paranoid textures undulate freely beneath the steady pulse.

324 records is very proud to announce its sub-label 324 exclusiv for vinyl releases only. for this first one, one of our great uk artist tony loi made us a bomb called lagt, as it was not enough, we combined it with a strong and powerful remix from the talented & groovy: jessica diaz. last but not least, the wax also includes motiv, a working & efficient track coming directly from spain produced with love by alejandro fernandez. keep the spin going!

out of a mood and while repairing one of his 303 basslines, heckmann just recorded two acid-house tracks on the fly and live in his studio !! the result is now presented on this very limited red vinyl afuxtra release !!!